Monday the 22nd was my birthday. Our friends Tom and Mandy kindly agreed to babysit for us so we could enjoy a much-needed evening out.
We started out with dinner at
Bick's, the very good restaurant that's close enough to our house that sometimes we've even walked there. We tried an appetizer that was new to us, Thai red curry mussels, and
loved it. I'm wondering if I can recreate the recipe the next time we go out to Ed and Charlotte's place on the Hood Canal, with its copious supplies of fresh shellfish.
My entree was hazelnut-crusted ling cod with chorizo rice and asparagus. It was very good -- anything with both fish
and hazelnuts is a win for me. If only it had somehow included bacon! But the chorizo was close enough. ;-)
For dessert we split a Mocha Mousse in a Mug -- our favorite taste sensation there. It's divine. I have no pretensions of being able to recreate this myself at home. It's just too good.
After dinner, we went down to Seward Park for a once-a-month "event" / piece of performance art: "
Lullaby Moon," which happens one night a month on the new moon. (Yes, my birthday this year was not only almost on the summer solstice, but was also on a new moon. Neato!)
The description of this event, from
their website: "Lullaby Moon is a year-long invitation to Seattle to explore a world of dream.
A celebration of the night sky, the series of performance events brings bedtime whimsy and wonder to parks and other public spaces throughout the city, enlivening and enlightening the dark time of each month. Performances take place on each new moon for an entire lunar year beginning in October 2008."
I've been trying to get to one of these for months, but I have to admit that I didn't quite know what to expect.
We found parking with much difficulty and found a large group of people waiting for the show to begin, some on folding chairs but most seated on the grass. A white canopied bed was the centerpiece, on grass in front of the water, set off by lights. A string quartet and a portable keyboard were underneath another canopy, playing classical music. Down the path near the water were some women in white with white cat heads. The website later told me that these were "Alchemist Cats."
As dusk fell, five adorable little children clothed in white gowns or white satin knickers came in. I say "adorable," although I don't really know that for sure, because their heads were enclosed in glowing clocks. It sounds creepy, but they were very sweet. (I bet the
hypermuffin would love to be a dancing clock!) They danced a "clock dance" to the music, and then the two big clocks put the three smaller clocks to bed while the music changed.
Three tall figures slowly rode in from the right on huge unicycle-like apparatuses. They were dressed in white with large, surreal bunny heads as headdresses. They weren't actually on unicycles; two small wheels were down at the bottom for stability. After slowing riding in and parking their giant tricycles (which had lights on the axels), the rabbits did a leaping and jumping dance.
While that was midway through, Andrew leaned down and whispered, "There's something coming on the right." I looked around and saw four ghostly female figures in white Victorian dresses and giant horse heads, pushing perambulators, drifting towards us ever so slowly down another path. A glow came from their strollers, and they performed slow, gentle, synchronized movements of rocking the strollers and making courtly gestures. It was like a dream -- like white knights from a chessboard had come to life.
The next phase included the "Alchemist Cats," who slowly approached from the left during the final phase of the horses' dance, and then performed a cat-like dance while the rabbits hid behind a tree and then slowly crept up behind them.
All the characters then did the same "clock dance," and then a large circle dance to a rousing, folk-song-like number.
Then a soprano in a tuxedo sang "Lullaby and Good Night" as four rowboats out on the water with stars on top were rowed back and forth and in and out by men in tuxedos.
The characters came out into the audience at some point and scattered white rose petals over every child there. My heart was touched as I saw the baby to our left and the 2-year-old to our right in awe and wonder over these large, white, impressive-looking cats and horses and rabbits coming right up to them and scattering them with flowers.
The characters gradually left on the path to the right, and disappeared somewhere -- no idea where they went, because on the walk back to the car I was looking for them, and the woods were empty.
On our way back to the car, I felt a sense of beauty and of having been taken "out of myself."
On the freeway home, we passed four road construction vehicles in a row, moving slowly, with flashing lights. Both Andrew and I had the strange mental whiplash moment in which we expected them to somehow have giant horse heads.
Next month I want to try to find a way to go with the
hypermuffin , and perhaps other people who appreciate the strange and the surreal.