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"Cholitas" women wrestlers in Bolivia: http://blog.foreignpolicy.com/node/8973
A beautiful, short poem called "Seeing the Eclipse in Maine"
Japanese scientists craft the world's smallest ramen bowl, complete with microscopic noodles
And, for those who like trying to puzzle out foreign languages, check out this picture from http://ma-gnus.livejournal.com/8869.html:
Any translations for me? Hugh, I know you can do it!
Nine Months of Punctuation
( Read more... )
I've also put some other older poems up, back-dated to the correct date as near as I could figure.
Apiary (Aug. 18, 2005) -- one of my first, and still my favorite
Daydream (Aug. 25, 2005)
Nails (Sept. 1, 2005)
Golden Apple (Sept. 13, 2005)
Recipes (Feb. 20, 2006)
On a Book (Feb. 21, 2006)
Civitas (April 6, 2006)
3D Tetrahedron C (May 6, 2006)
Spring Dance (May 28, 2006)
Storm Front (June 5, 2006)
Prayer for the Sky (July 6, 2006)
Conversation with a Disgruntled Ex-Tenant (Aug. 18,. 2006)
Minnow (Aug. 28, 2006)
Te Pito O Te Henua, 1722 (Sept. 4, 2006)
To My Mother's Ghost (Oct. 1, 2006)
So for anyone who likes commenting on other people's poetry, have fun. My skin is fairly thick, because back in 2005 and '06 I was posting these at poetrycritical.net (then poetry.tetto.org). (I got some very kind comments, but also some very unkind ones that made me grow the previously mentioned thick skin.) Anyway, later I got disgusted with the site and pulled my stuff down.
But now here it all is, back on the internet again. :-)
Thanks to her, I know (or have been reminded) of NaPoWriMo -- National Poetry Writing Month. Which is now. Yes, now. April.
The concept: Write a poem a day during April. Simplicity itself! Until you try doing it...
Today is the 3rd, so I have three poems to write today to get all caught up...
There's already a LiveJournal community for this --
So, here's that poem about compost I started last week. I'm not sure if I like it yet.
First off, "System Error" is a great name for a poem. ;-)
In a post-post-postmodern kinda way, I think a lot of these elements work, especially line 20, "die Cannot connect $DBI errstr." The blank lines before and after serve to highlight the content in lines 19 and 20.
What happened to lines 1 - 14? They are mysteriously absent... like the American soul in this technological age??? ;-)
The final line, "raw error," ends on a hopeful note. Maybe if we click that link, we will understand what it all means... or maybe not.
OK, I'm now done being silly.
("Trois-par-Huit" -- a made-up modern poetic form I found on ShadowPoetry's list of poetic forms. At one point I was going to try to write one of each kind, just to see if I could... maybe I should take that up again.)
Anyway. My 3-6-9-12-12-9-6-3, aabbbccc poem:
If that's you, then prepare to revel in the glory that is --
LOLcat Wasteland
(First stanza or two, to give you da flavah...)
"1. IM IN UR WASTELAND BURYING UR DEAD
april hates u, makes lilacs, u no can has. (1)
april in ur memoriez, making ur desire.
spring rain in ur dull rootzes.
earth in ur winter, covered in snow
can has potato. PO-TA-TO.
INVISIBLE SUMMER! RAININGZES!
im in ur hofgarden, drinking ur coffeez."
. . .
OMG funniez!!!!1!!! :-D
Thanks to John Bryan for the tip. (John, you really need your own LJ account.)
As the article explains, " While the "@" simple is familiar to Chinese e-mail users, they often use the English word "at" to sound it out -- which with a drawn out "T" sounds something like "ai ta", or "love him", to Mandarin speakers."
Reminds me of a light poem I wrote for Vivian in June, 2006...
When I glanced at it in passing, I thought it said "Monster Eclogues."
(Eclogue: "A poem in a classical style on a pastoral subject." The most notable example is probably Vergil's Eclogues, the fourth one of which supposedly predicted a future Golden Age which would be brought about by a child...)
I can just see one of these written by a couple of D&D monsters...
(Krenshar):
O Beholder friend, within this dungeon fair
Let us recline and pass the silver'd hours
With tales of mayhem wrought on those who'd dare
Confront us with their surface-dwelling powers!
(Beholder):
Your forkéd tongue so sweetly sings this lay
That hearing it, all those within the range
Of that fell radius must surely be our prey;
By that dread Fear Effect doubtless deranged!
- Mood:
dorky
"I Wandered Lonely As A Cloud has undergone the “rap” treatment in the bicentenary year of its publication to help the next generation of Lake District visitors connect with his work.
The new “hip-hop” version of the famous poem and an accompanying pop video can be listened to and watched for free at Cumbria Tourism’s website at www.golakes.co.uk/wordsworthrap It features MC Nuts in the leading role – better known as Sam - the Lake District Red squirrel mascot for Ullswater Steamers."
...very, very surreal.
- Mood:still stunned
Read more at http://www.snopes.com/politics/humor/lau
Because I have no life, I've rewritten it to make the poetry part a bit better, though I may have lost some legal accuracy in the process.
O hear, Calliope, this legal draft,
which seeks to elevate poetic craft
by instituting now in our fair state
of Minnesota, a Poet Laureate.
A four-year term, without a salary
(though with a stipend, small as it may be)
is here set forth; the Governor to choose
which bard-elect best serves the Poet Muse.
The state Humanities Commission can advise
as to which rhapsodist deserves the prize.
Appropriating gifts and grants galore
will fund this stipend now and evermore.
And once this stellar odist has been hired,
No Senate confirmation is required.
To strip the poet of the Laureate name
will only be "for cause" -- tut-tut, shame-shame.
- Mood:poetic
The February 11, 2007 service at UUC was all about sending off the senior minister, Jon Luopa, on a 6-month sabbatical. It inspired me to think about transitions in my own life, as I'm starting to worry more about Baby # 2 and how another addition will affect our lives. Jon reminded us that change is always frightening, but that we need to have enough trust to take the next step forward in faith that we will find the inner reserves to handle what may come.
This sabbatical, which is only for 6 months, has been very well-planned. There's an associate minister in place, plus the staff, the board of trustees, etc., and also a "Sabbatical Committee," which has put out a pamphlet (!) with the Sunday speakers in Jon's absence! I was a bit surprised, although it shouldn't have surprised me that the sabbatical would have been well-choreographed months in advance.
But really, they are way more prepared for this than I was for my own wedding, or for either pregnancy.
- Mood:
impressed
- Mood:
contemplative
This tale of hope and gritty perseverance inspired me to write a poem last night. I tried a new form for me, a villanelle, which is a difficult form to pull off. It's a 19-line poem with the rhyme scheme aba aba aba aba aba abaa, with lines one and three repeating in certain set places throughout the rest of the poem.
I've posted it to the poetry site I go to every so often. Since I'm so proud of myself for writing a villanelle, I'll post it here also. ;-)
- Mood:
accomplished
To My Mother's Ghost
Come for a walk with me –
let the dishes wait
until Orion shivers through autumn air.
Scrunch your face, so,
but say yes -- we'll leave
the men TV for their dessert.
Come for a walk, and hear
birds' farewells stinging
like needle sleet.
Come for a walk with me --
we'll find winter in the twig of a tree.
We near the old ones beneath a clouded moon.
The salt wind cuts our cheeks, brings smells
of those strange crafts riding off the coast.
Strange men, to steer such tall canoes;
eyes like birds', skins like pale shells, words bubbling,
gestures swirling like ash wraiths from deep chasms.
They have no women, only things queer
and marvelous -- daggers, clicking circles,
and common goods besides: fruit and lumber,
poultry, leather.
The people are swayed.
Things are not as they were in grand-chief's time;
this chief is raw, wood is scarce, the youth
have no respect, omens foretell calamities.
So we come to ask for guidance:
to concord, or to war.
The wide sea turns around these points,
mana focused in hardened ash-men
buried in folds of lichened earth.
The air burdens our feet. Puissance
carves paths to bone, leaving flesh
to quiver like sponges on hot sands.
Volcano's sons with eyes from the sea,
tell us the future, we implore,
and shudder at our daring.
The answer is slow. Starlight falls
on shoulders, before the great heads creak
to hiss their answer into naked ears.
To hear it, some of us stand staring,
eyes rolling like death ships on a mad sea.
Some run to quench their anguish in water
or in liquid rock.
And I, alone,
turn up my head and laugh, tears
carving memories of screams
down my ashen face.

